We just spent the day in college station, which coincidentally got its name because a train used to stop here, and they called it thus because the college students would wait here to be picked up by the train to go back to their respective homes. I love knowing the reasoning behind names of places.
Anyways, we were there because my exceedingly talented sister can move her body in ways that only spineless jellyfish can. She dances in a hip hop group, and makes us giggle with delight because she not only has rhythm, but can shake the derriere (a French ballet term, which I only know because I went to a fancy Caucasian ballet conservatory for about 3 months) like she was born in an African American family. Sometimes I wonder if they switched her at birth, or if my mom had an affair with a tall, dark stranger. But seeing as that we look about 80% identical it’s probably neither.
Because of this affinity and natural inclination for movin and groovin, I have decided that she has something that I have dubbed the “shake-it gene.” Now while most traits in the family are quite dominant, which has left the three sisters with remarkable similar physical characteristics, this one appears to be passive, and to have skipped at least 9 generations. I’ve concluded that great^9 Grandmother Posey and great^11 Grandfather Zellmer expressed this particular gene. This phenotypical expression was probably not as widely accepted back in those days, particularly in the straight-laced German society (where the Zellmers are from). I can just picture my ancestors, possessing the gene and the desire to share their dancing with the world, only to be stifled by their rigid, conservative society.
When another member of the family came forth with the obvious talent given by the shake-it gene, we didn’t know quite what to do. Rachel was enrolled in years of dance lessons, ballet, tap, jazz, modern, and polka. Ok I made polka up, but the point is she could’ve done it. Not until college did she realize that the world of high-falutin’ dance was not her true calling. She was born to dance to the well-known classics I’m so hood, Gangster’s Paradise, Thug life, and the lesser known I still wear my pants below my knees, and Snoop Dog for King. The way her body moves in perfect time to the voice of Trey Songz and Eminem is indicative of what she really enjoys. So this is for her. This is why she’s hot, and I wish she could teach me how to dougie.
